I’m bass soloist in J. S. Bach’s Christmas Oratorio parts 1-6 with QiHu and Drottningholms Baroque Ensemble under Lukas Arvidsson och Lena Ekman Frisk. The soloists are Maria Keohane soprano, Kristina Hammarström alto, Anders J Dahlin tenor and Staffan Liljas bass.
I’m bass soloist in J. S. Bach’s Christmas Oratorio parts 1-6 with QiHu and Drottningholms Baroque Ensemble under Lukas Arvidsson och Lena Ekman Frisk. The soloists are Maria Keohane soprano, Kristina Hammarström alto, Anders J Dahlin tenor and Staffan Liljas bass.
I’m soloist at the traditional early Christmas Mass in Leksands church and will sing Adam’s “O Holy Night” among other things.
I’m Herod in Adolf Fredrik church’s traditional Christmas play under Isabel Josephson.
I’m singing in this concert with favourites from the Christmas music of the Baroque. Nacka Chamber Choir sings and Drottningholms Baroque Ensemble plays under Per Rönnblom with Agnes Auer as soprano soloist.
This is a concert with Musikaliska Sällskapets Kammarkör under Inger Dalene where we sing movements from Requiems by a numver of composers (Fauré, Mozart, Brahms, Gjeilo, Lloyd Webber, Sköld etc). I am the bass soloist.
This is a concert with Musikaliska Sällskapets Kammarkör under Inger Dalene where we sing movements from Requiems by a numver of composers (Fauré, Mozart, Brahms, Gjeilo, Lloyd Webber, Sköld etc). I am the bass soloist.
I’m singing Mozart’s Requiem together with Maria Magdalena chamber choir under Mats Nilsson.
I’m performing Mozart’s Requiem in Leksand church together with Leksand’s church choirr under Mikael Boström.
I am the bass soloist in Mozart’s Requiem together with Johannelund Motet choir and St Lars Chamber Choir under Linn Björklid and Bo Ingelberg. Anna Zander Sand is the alto soloist and Mattias Hedegaard is the tenor soloist.
I am the bass soloist in Mozart’s Requiem together with Johannelund Motet choir and St Lars Chamber Choir under Linn Björklid and Bo Ingelberg. Anna Zander Sand is the alto soloist and Mattias Hedegaard is the tenor soloist.
I’m recording eight songs by the composer Oliver Gruhn together with Symfoniker Hamburg to texts by Hermann Hesse.
I’m recording eight songs by the composer Oliver Gruhn together with Symfoniker Hamburg to texts by Hermann Hesse.
I’m recording eight songs by the composer Oliver Gruhn together with Symfoniker Hamburg to texts by Hermann Hesse.
I’m performing the role of Gremin in this production of Tjajkovskij’s Eugene Onegin at Opera op het Hogeland. The stage director is Brigitte Odett and Peter Bogaert is the musical director and conductor.
Varvara Tishina – Tatjana
Tiemo Wang – Jevgeni
Francis Ng – Lenski
Maria Koshiishi – Olga
Annemieke van der Ploeg – Larina
Staffan Liljas – Gremin
I’m performing the role of Gremin in this production of Tjajkovskij’s Eugene Onegin at Opera op het Hogeland. The stage director is Brigitte Odett and Peter Bogaert is the musical director and conductor.
Varvara Tishina – Tatjana
Tiemo Wang – Jevgeni
Francis Ng – Lenski
Maria Koshiishi – Olga
Annemieke van der Ploeg – Larina
Staffan Liljas – Gremin
I’m performing the role of Gremin in this production of Tjajkovskij’s Eugene Onegin at Opera op het Hogeland. The stage director is Brigitte Odett and Peter Bogaert is the musical director and conductor.
Varvara Tishina – Tatjana
Tiemo Wang – Jevgeni
Francis Ng – Lenski
Maria Koshiishi – Olga
Annemieke van der Ploeg – Larina
Staffan Liljas – Gremin
I’m performing the role of Gremin in this production of Tjajkovskij’s Eugene Onegin at Opera op het Hogeland. The stage director is Brigitte Odett and Peter Bogaert is the musical director and conductor.
Varvara Tishina – Tatjana
Tiemo Wang – Jevgeni
Francis Ng – Lenski
Maria Koshiishi – Olga
Annemieke van der Ploeg – Larina
Staffan Liljas – Gremin
I’m performing the role of Gremin in this production of Tjajkovskij’s Eugene Onegin at Opera op het Hogeland. The stage director is Brigitte Odett and Peter Bogaert is the musical director and conductor.
Varvara Tishina – Tatjana
Tiemo Wang – Jevgeni
Francis Ng – Lenski
Maria Koshiishi – Olga
Annemieke van der Ploeg – Larina
Staffan Liljas – Gremin
I’m the bass soloist in Mendelssohn’s Elias together with Oratoriekören Vox and Cappella Alfvéniensis under Bengt Ollén. Agnes Auer is soprano soloist, Carolina Bengtsdotter Ljung alto soloist and Mats Carlsson is tenor soloist.
I am the bass soloist at the final concert of the Trollhättan Early Music Festival. We perform Falvetti’s Il Diluvio universale, which is likely a first performance in Sweden, and Charpentier’s Extremum Dei Judicium. Kathrin Lorenzen and Ingrid Berg are the soprano soloists, Maria Forslund the alto soloist and Martin Vanberg the tenor soloist with Trollhättan Motet Choir accompanied by an historically informed ensemble under Mattias Eklund.
I am the bass soloist in this concert with music by and around Heinrich Schütz. We perform music by Schütz, Prætorius, Johann Michael Bach and Gabrieli. Helena Ek is the soprano soloist and Torbjörn Cervin is the tenor soloist. Leksand church choir and the Schütz society as well as a historically informed orchestra participate under Mikael Boström Eric and Stefan Parkman.
I am the featured soloist at a concert with Dalasinfoniettan called “Time Is Running Out”. It is an eclectic program reminding us that time is a never ending well and that we have to enjoy and embrace every moment The program is put together by Dalasinfoniettan’s new head conductor Claire Levacher. Among other things, I will be performing the bass solos from Haydn’s Jahreszeitung.
Medverkande
Claire Levacher – Conductor
Staffan Liljas – Bass
Dalasinfoniettan
Repertoar
Györgi Ligeti Poème Symphonique for hundred mechanical metronomes
Felix Mendelssohn from A midsummer night’s dream
Joseph Haydn from Jahreszeitung
Arthur Honegger from Pastorale d’été
Georges Delerue from Fanfares pour tous les temps
Tôn-Thât Tiêt Vo vi
I am the featured soloist at a concert with Dalasinfoniettan called “Time Is Running Out”. It is an eclectic program reminding us that time is a never ending well and that we have to enjoy and embrace every moment The program is put together by Dalasinfoniettan’s new head conductor Claire Levacher. Among other things, I will be performing the bass solos from Haydn’s Jahreszeitung.
Medverkande
Claire Levacher – Conductor
Staffan Liljas – Bass
Dalasinfoniettan
Repertoar
Györgi Ligeti Poème Symphonique for hundred mechanical metronomes
Felix Mendelssohn from A midsummer night’s dream
Joseph Haydn from Jahreszeitung
Arthur Honegger from Pastorale d’été
Georges Delerue from Fanfares pour tous les temps
Tôn-Thât Tiêt Vo vi
I’m Christ in the first performance of B Tommy Andersson’s Matthew Passion in Linköping Cathedral. Participants: Elin Skorup, soprano; Katija Dragojevic, mezzo; Staffan Liljas, bass; Sara Michelin, organ; Karin Svanberg Anker and Malin Bratt, viola; Niklaas Veltman and Florian Erpleding, cello; Linköping Cathedral Choir; Marie-Louise Beckman, conductor. No entrance fee, but donations welcome.
I’m the baritone soloist in Fauré’s Requiem in this choir concert with Uppsala diocese church singers association. I will also sing “En prière” by Fauré. Choir singers from the diocese and the orchestra Camerata Upsaliae under Elin Emtell Rubinsztein performs Requiem and Cantique de Jean Racine by G Fauré. Anna-Carin Jutestål is soprano soloist and Marcus Edgar the conductor.
I’m the baritone soloist in Fauré’s Requiem in this choir concert with Uppsala diocese church singers association. I will also sing “En prière” by Fauré. Choir singers from the diocese and the orchestra Camerata Upsaliae under Elin Emtell Rubinsztein performs Requiem and Cantique de Jean Racine by G Fauré. Anna-Carin Jutestål is the soprano soloist and Marcus Edgar and Milke Falck the conductors.
I’m singing Herod in Rosenberg’s Den Heliga Natten in Tumba church together with Botkyrka Symphony Orchestra under Karolina Bråkenhielm.
I’m soloist at the traditional early Christmas mass in Leksand church and will sing “O holy night” as well as Sibelius Christmas song.
I’m Herod in the traditional Christmas Play in Adolf Fredrik’s church.
I’m the bass soloist in Handel’s Messiah with the Chamber Choir Camerata in Holmen’s church in Copenhagen. My co-soloists are Frederikke Kampmann, soprano, Ann-Kristin Jones, alto and Conny Thimander, tenor with Sofia Söderberg conducting.
I’m the bass soloist in Handel’s Messiah with the Chamber Choir Camerata in Holmen’s church in Copenhagen. My co-soloists are Frederikke Kampmann, soprano, Ann-Kristin Jones, alto and Conny Thimander, tenor with Sofia Söderberg conducting.
I’m the bass soloist in Handel’s Messiah with the Chamber Choir Camerata in Holmen’s church in Copenhagen. My co-soloists are Frederikke Kampmann, soprano, Ann-Kristin Jones, alto and Conny Thimander, tenor with Sofia Söderberg conducting.
I am bass soloist in Handel’s Messiah in Tibble church under Roland Möhle.
I’m soloist in an advent consert in the Västerled church together with the choirs of the church under Fredrik Zander.
I’m singing Polyphemus in Handel’s Acis & Galatea at The Baroque Festival of Timisoara, which is the cultural capital of Europe in 2023.
Conductor: Mihnea Ignat
Galatea: Narcisa Brumar
Acis: Martin Vanberg
Polyphemus: Staffan Liljas
Damon: Jihan Shin
Orchestra Internationala a Festivalului Baroc Timisoara
I’m performing Polyphemus in Handel’s Acis & Galatea in the version from 1788 in Mozarts orchestration. Galatea – Julie Roset, soprano; Acis – Mark Milhofer, tenor; Polyphemus – Staffan Liljas, bass; Damon – Valerio Contaldo, tenor; Coridon – Fabio Trümpy, tenor; Maud Bessard-Morandas, soprano; Leandro Marziotte, counter-tenor; Raphaël Hardmeyer, bass. With L’Orchestre de Chambre de Genève and Cappella Mediterranea under Leonardo García Alarcón.
I’m the bass soloist in Monteverdi’s Vespers under Lars Andersson.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I’m performing as Count Ceprano in Verdi’s Rigoletto in this production at Opera på Skäret. Stage Direction – Leslie Swackhamer, Scenography – Sven Östberg, Costume – Susan E. Mickey, Mask – Stephanie Metzner, Light – Kevin Wyn-Jones. The Swedish Chamber Orchestra plays under Lorenzo Coladonato.
I am the bass soloist in Mozart’s C-minor mass in Siljansnäs church together with the Oratorio Choir VOX and the Bergslagen chamber symphonic orchestra under Bengt Ollén.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as the dad in the newly written children’s opera “Var är smörgåsen?” (Where is the sandwich?) at The Royal Opera in Stockholm. The libretto is by Pija Lindenbaum and the music by Niklas Brommare. Staffan Mårtensson is conducting and Carl Knif is stage director and choreographer. In the other roles, we see Lisa Larsson as the boy, Ulrika Skarby as Gunnel, Jessica Elevant as the mom, and Anna Stenberg as the sister.
I’m performing as Christ in J. S. Bach’s St. John Passion at the Church of Our Lady in Enköping under Jonas Marmbrandt.
I’m perforing as Christ in Rolf Martinsson’s St Luke Passion in Visby Domkyrka together with Elin Jakobsson, soprano, and with choir and orchestra under Peter Alrikson.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Christ in Rolf Martinsson’s Passion of St Luke in Leksand church together with the Leksand church choir under Mikael Boström Eric.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
The master of masters, Johann Sebastian Bach, also called the fifth evangelist, composed in the program’s three solo cantatas some of the most beautiful music written for bass voice – a divine lament combined with consolation.
Ich habe genug • Der Friede sei mit Dir • Ich will den Kreuzstab gerne tragen
Staffan Liljas – bass, Ann Wallström – baroque violin, Kerstin Frödin – baroque oboe, Katarina Bengtsson – baroque violin, Andrea Ravandoni – baroque viola, Mime Brinkman – baroque cello, Olof Larsson – contra bass, Johan Lindström – organ
Collaboration between Stockholm Early Music Festival / Early Music Sweden and Sweden Festivals
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
The master of masters, Johann Sebastian Bach, also called the fifth evangelist, composed in the program’s three solo cantatas some of the most beautiful music written for bass voice – a divine lament combined with consolation.
Ich habe genug • Der Friede sei mit Dir • Ich will den Kreuzstab gerne tragen
Staffan Liljas – bass, Ann Wallström – baroque violin, Kerstin Frödin – baroque oboe, Katarina Bengtsson – baroque violin, Andrea Ravandoni – baroque viola, Mime Brinkman – baroque cello, Olof Larsson – contra bass, Johan Lindström – organ
Collaboration between Stockholm Early Music Festival / Early Music Sweden and Sweden Festivals
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m performing as Il Re in the Wermland Opera production of Giuseppi Verdi’s Aida. Claes Fellbom directs and Eric Solén conducts. AnnLouice Lögdlund sings the role of Aida and Ole Aleksander Bang sings Radamès.
I’m the bass soloist in Handel’s Messiah, performing with Leksands Kyrkokör, Mora Chamber Choir and Capella Alfvéniensis under Mikael Boström Eric.
I’m the bass soloist in Handel’s Messiah, performing with Leksands Kyrkokör, Mora Chamber Choir and Capella Alfvéniensis under Ulrika Ryssmats.
The Christmas Oratorio by J. S. Bach, version for young listeners, parts from the cantatas 1-3, in Swedish with young instrumentalists from Kulturskolan together with Umeå Barockensemble and Kristina Sturk as conferencier. Script and conducting by Veikko Kiiver.
This is performed for the celebration of Umeå 400 years, 1622-2022. Under Veikko Kiiver, Umeå Barockensemble performs J. S. Bach’s Christmas Oratorio, parts 1 – 3 with soloists, choir and orchestra. Emma Rönnlund, soprano, Iris Ridder, alto, Anders Lundstöm, tenor and Staffan Liljas, bass.
I’m the bass soloist in J. S. Bach’s Christmas Oratorio (parts 1 to 3) with Östgöta Barock and Domkyrkans Kammarorkester under Marie-Louise Beckman with concert master Torbjörn Köhl. Domkyrkokören and Domkyrkans kammarkör sings.
I’m the bass soloist in J. S. Bach’s Christmas Oratorio (parts 1 – 3) with the symphony orchestra of Norrlandsoperan under Stefan Parkman. Norrlandsoperans choir sings, and the other soloists are Amie Foon, alto and Olof Lilja, tenor.
I’m the bass soloist in J. S. Bach’s Christmas Oratorio (parts 1 – 3) with the symphony orchestra of Norrlandsoperan under Stefan Parkman. Norrlandsoperans choir sings, and the other soloists are Amie Foon, alto and Olof Lilja, tenor.
I’m the bass soloist in J. S. Bach’s Christmas Oratorio (parts 1 – 3) with the symphony orchestra of Norrlandsoperan under Stefan Parkman. Norrlandsoperans choir sings, and the other soloists are Amie Foon, alto and Olof Lilja, tenor.
I’m the bass soloist in part 1 of Handel’s Messiah in Eskilstuna with Eskilstuna oratoriekör, Ars Musica, and Klosters kammarorkester, under Mila Thoors.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m performing the bass solo in Mozart’s Requiem in Lund Cathedral together with the vocal ensemble VOS, The Boy’s Choir of Lund Cathedral, Cantores Catedrales and Capella Sveciae under Robert Bennesh.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m the bass soloist in Bach’s Actus Tragicus and Mass in A major in Katarina Church together with Katarina Nova and Ann Wallgrens baroque orchestra under Lars Andersson.
I am the baritone soloist in G. Fauré’s Requiem in Enskede church with Enskede Chamber Choir and Årsta Chamber Choir under David Åberg and EvaMaria Agnelid. We are also performing “Let this mind be in you” by Amy Beach.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m soloist at a concert with the Swedish Schütz Society under Stefan Parkman, where I sing the Schütz motet “Attendite popule meus legem meam” together with Höör Baroque Ensemble.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I’m participating in Malmö Opera’s tour production of G. Puccini’s La Bohème, performing Alcindoro and Benoit. Musical Director is Annika Bjelk and Sara Cronberg is the Stage Director.
I am the baritone soloist in Lars-Erik Larsson’s God in Disguise (Förklädd Gud) at Dalarnas Choir Festival in a performance together with the Dalasinfonietta under David Lundblad. In addition, Jan-Åke Hillerud’s En svensk spelmansmässa is also performed at the concert.
I am the bass soloist in Verdi’s Requiem in Siljansnäs Church together with the Oratorio Choir VOX and the Bergslagen chamber symphony orchestra under Bengt Ollén.
I’m performing the role of Polyphemus in Handel’s Acis & Galatea in this concert with Orchestre Philharmonique de Radio France under Leonardo García Alarcón. Julie Roset is Galatea, Mark Milhofer is Acis and Valerio Contaldo is Damon.
I’m singing in this performance with the Royal Stockholm Filharmonic Orchestra, Martin Fröst, the Eric Ericson Chamber Choir, Jesper Waldersten and Linus Fellbom.
I’m singing in this performance with the Royal Stockholm Filharmonic Orchestra, Martin Fröst, the Eric Ericson Chamber Choir, Jesper Waldersten and Linus Fellbom.
I’m singing in this a capella consert with the Eric Ericson Chamber Choir under Grete Pedersen.
I’m singing in this a capella consert with the Eric Ericson Chamber Choir under Grete Pedersen.
I am singing the role of Christ in Rolf Martinsson’s “Lukaspassionen” (Passion of St Luke) in Leksand’s church together with Leksand’s church choir under Michael Boström Eric.
I’m singing Christ in J. S. Bach’s Passion of St John together with Essinge Chamber Choir under Espen Myklebust Olsen.
I’m singing Christ in this performance of Bach’s Passion of St John for kids with Essinge Chamber Choir under Espen Myklebust Olsen.
I’m singing Pilate in the St Matthew Passion by J. S. Bach under Thore Kennestad.
I’m singing the bass solo in Monteverdi’s Vespro della beata Vergine in Nacka church together with the Drottningholm Baroque Ensemble under Bengt Ollén.
I’m performing Christ in a revised version of Rolf Martinsson’s Passion of St Luke together with Canzonettan under Kettil Skarby.
I’m performing Christ in a revised version of Rolf Martinsson’s Passion of St Luke together with Canzonettan under Kettil Skarby.
I’m performing Christ in a revised version of Rolf Martinsson’s Passion of St Luke together with Canzonettan under Kettil Skarby.
I’m performing with Ensemble Villancico in this concert under Peter Pontvik. Among other things, we perform Sweden’s oldest mass and music from the Källunge Codex. Entrance 100 kr.
I am the bass soloist in Handel’s Messiah (part 1) with Maria Keohane, soprano, Carolina Bengtsdotter Ljung, alto, Johan Christensson, tenor, Mora Chamber Choir, Leksands Church Choir and Bergslagen Chamber Symphony under Ulrika Ryssmats and Mikael Boström Eric’.
I am the bass soloist in Handel’s Messiah (part 1) with Maria Keohane, soprano, Carolina Bengtsdotter Ljung, alto, Johan Christensson, tenor, Mora Chamber Choir, Leksands Church Choir and Bergslagen Chamber Symphony under Ulrika Ryssmats and Mikael Boström Eric’.
I’m singing the traditional Christmas songs together with the choirs of Vallentuna church under Karin Solén.
I’m performing the role as Herod in Adolf Fredriks church’s traditional Christmas play.
I’m the bass soloist in this performance of Handel’s Messiah with the Ekerö ensemble, Ekerö church choir and Ann Wallström’s baroque ensemble under Kerstin Baldwin Steiner.
I’m the bass soloist in this performance of Handel’s Messiah with the Ekerö ensemble, Ekerö church choir and Ann Wallström’s baroque ensemble under Kerstin Baldwin Steiner.
I am the bass soloist in part one of Handel’s Messiah in Mozarts adaptation in this concert led by Henrik Alinder.
I’m singing the bass solo in J.S. Bach’s Christmas Oratorio, parts 1-3, together with Rebaroque and the Uppsala Cathedral Choir under Milke Falck.
I’m performing in a childrens version of Bach’s Christmas Oratorio together with Rebaroque Uppsala Cathedral Choir under Milke Falck.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I’m singing the bass solo in Mozart’s Requiem in Maria Magdalena church with Elin Rombo, soprano, Ivonne Fuchs, alt0, Carl Unander Scharin, tenor, Maria Magdalena Chamber Choir and an orchestra from the Swedish Radio Symphony Orchestra under Mats Nilsson. We are performing the Franz Beyer version and the concert starts with Samuel Barber’s Adagio.
I’m singing the baritone solo in Fauré’s Requiem with Hedvig Eleonora Chamber Choir under Pär Fridberg.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I’m the bass soloist in Bach’s Magnificat and Cantata 182 under Ulric Andersson.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing music connected to Maria Magdalena parish in Stockholm together with Johan Hansson Lindström on harpsichord, organ and piano. We will present music and poetry by Lucidor, Bellman, Roman, Kraus, Zellbell, Taube and others.
This is a soloprogram with Bach’s three cantatas for bass, BWV 56, BWV 82 and BWV 158, which I will be performing together with a small baroque ensemble.
The concert presents arias and pieces from operas composed by women between the years of 1625 and 1909. These compositions were popular and lauded in their time, but have disappeared from the stage. Now we give these opera treasures a new life!
In the concert we hear among other things La Liberazione di Ruggiero by Caccini, the oldest preserved opera written by a woman. Mazeppa, which is based on Lord Byrons poem about the kosack Ivan Mazepa, and Viardots Le dernier sorcier, which was long assumed to be lost but was rediscoverd only a few years ago.
The concert is led by Mariangiola Martello and Anna Christensson, and among the singers are Annastina Malm, Leif Ahrun-Solén, Staffan Liljas and Norwegian Berit Norbakken. The concert is arranged by Den Andra Operan, Vadstena-Akademien, Confidencen and Åbo Akademi. Damkapellet plays.
The concert presents arias and pieces from operas composed by women between the years of 1625 and 1909. These compositions were popular and lauded in their time, but have disappeared from the stage. Now we give these opera treasures a new life!
In the concert we hear among other things La Liberazione di Ruggiero by Caccini, the oldest preserved opera written by a woman. Mazeppa, which is based on Lord Byrons poem about the kosack Ivan Mazepa, and Viardots Le dernier sorcier, which was long assumed to be lost but was rediscoverd only a few years ago.
The concert is led by Mariangiola Martello and Anna Christensson, and among the singers are Annastina Malm, Leif Ahrun-Solén, Staffan Liljas and Norwegian Berit Norbakken. The concert is arranged by Den Andra Operan, Vadstena-Akademien, Confidencen and Åbo Akademi. Damkapellet plays.
This concert is only for the participants in the seminar.
The concert presents arias and pieces from operas composed by women between the years of 1625 and 1909. These compositions were popular and lauded in their time, but have disappeared from the stage. Now we give these opera treasures a new life!
In the concert we hear among other things La Liberazione di Ruggiero by Caccini, the oldest preserved opera written by a woman. Mazeppa, which is based on Lord Byrons poem about the kosack Ivan Mazepa, and Viardots Le dernier sorcier, which was long assumed to be lost but was rediscoverd only a few years ago.
The concert is led by Mariangiola Martello and Anna Christensson, and among the singers are Annastina Malm, Leif Ahrun-Solén, Staffan Liljas and Norwegian Berit Norbakken. The concert is arranged by Den Andra Operan, Vadstena-Akademien, Confidencen and Åbo Akademi. Damkapellet plays.
I’m singing a concert with songs based on the poems of Bo Setterlind together with Charlotta Huldt, soprano, and Torvald Johansson, cathedral organist.
I’m singing sacred music from Italy and Great Brittain in the 1600s, including composers such as Claudio Monteverdi, Isabella Leonarda, John Blow and Henry Purcell together with Jonas Nordberg (theorbo), Mime Brinkmann (cello) and Peter Lönnerberg (organ).
I am bass soloist in Monteverdi’s Vespro della beata vergine at Ytterjärna Kulturhus together with the Eric Ericson Chamber Choir and a baroque orchestra under Fredrik Malmberg.
I’m singing with the Willow Consort under Danny Purtell in this concert with partitas by J. S. Bach for solo violin (performed by Daniel Pioro) interspersed by chorales by Bach, and the world premiere of Growth Rings by Nick Martin.
I’m singing with the Willow Consort under Danny Purtell in this concert with partitas by J. S. Bach for solo violin (performed by Daniel Pioro) interspersed by chorales by Bach, and the world premiere of Growth Rings by Nick Martin.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing the bass solo in Rossini’s Petite Messe Solennelle under Per Rönnblom.
I am singing the baritone solo in Lars-Erik Larsson’s “God in Disguise” under Gunnar Björkwall.
I’m singing Christ in Rolf Martinsson’s St Luke Passion with the Leksand Church Choir under Mikael Boström Eric.
I’m singing Christ in Arvo Pärt’s “Passio” under Kerstin Börjessons.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I’m singing Christ in Johann Theile’s St Matthew Passion with Christian IV Vocal Ensemble and Hamburger Ratsmusik under Ruben Munk. In addition, we perform Diderik Buxtehude’s Magnificat and Heinrich Schütz’ O bone, o dulcis.
I will sing the bass solo in Bach’s Magnificat and Cantata 182 under Ulric Andersson.
I’m singing in Mogens Dahl Kammarkör in this concert led by Mogens Dahl. We perform Lasse Thoresen’s Prison Poems and Per Gunnar Petersson’s Aftonland.
I’m singing gregorian chant and early polyphony as part of the ensemble Scala Jacobi in the church at the Royal Castle in Stockholm under Veikko Kiiver.
I am the bass soloist in this Christmas Concert under Gunnar Björkvall.
I am the bass soloist in this Christmas Concert under Gunnar Björkvall.
I am the soloist in this Christmas Concert with the choirs of Markuskyrkan.
I will sing the bass solo in Handel’s Messiah together with Odense Symphony Orchestra under Olof Boman. The other soloists are Klara Ek, soprano, Daniel Carlsson, alto, and Hyojong Kim, tenor.
I will sing the bass solo in Handel’s Messiah together with Odense Symphony Orchestra under Olof Boman. The other soloists are Klara Ek, soprano, Daniel Carlsson, alto, and Hyojong Kim, tenor.
I’m singing the bass solo in Mozart’s Missa Brevis in C major and parts of Handel’s Messiah under Gunnar Klum.
I’m singing with the Eric Ericsons Chamber Choir at the Composer festival at the Stockholm Concert Hall with music by Sir George Benjamin. We will perform his “Sometimes Voices” under the composer himself.
I’m singing with the Eric Ericsons Chamber Choir at the Composer festival at the Stockholm Concert Hall with music by Sir George Benjamin. We will perform his “Sometimes Voices” under the composer himself.
I am singing the baritone solo in the first performance of Olle Lindberg’s Requiem together with Agnes Lindberg, soprano soloist under Torvald Johansson in Strängnäs Cathedral.
I am singing the baritone solo in the first performance of Olle Lindberg’s Requiem together with Agnes Lindberg, soprano soloist under Christoffer Holgersson in the Allhelgona Church in Nyköping.
I am singing the baritone solo in the first performance of Olle Lindberg’s Requiem together with Agnes Lindberg, soprano soloist under Christoffer Holgersson in Adolf Fredrik’s Church.
I’m singing the baritone solo in Brahm’s “Ein Deutsches Requiem” in Sollentuna church under Ewa-Lena Kansbod.
I’m singing the baritone solo in Brahm’s “Ein Deutsches Requiem” in Kummelby church under Ewa-Lena Kansbod.
I’m singing a program of 20th century music from the countries around the Baltic Sea together with the Eric Ericson Choir under Fredrik Malmberg. Pernilla August reads poetry.
I’m singing a program of 20th century music from the countries around the Baltic Sea together with the Eric Ericson Chamber Choir under Fredrik Malmberg.
I’m singing in the ensemble and the bass solos in Charpentier’s Te Deum under Benedikt Melichar.
Swedish Radio P2 broadcasts our production of Handel’s Acis & Galatea at Confidencen from this summer. The program was recorded on August 15. Galatea is played by Ylva Stenberg, Acis is played by Hyojong Kim, I am Polyphemus, and Jihan Shin is Damon. The stage direction is by Tine Topsøe and Olof Boman conducts.
Songs praising the country-side with and by Anders Nyberg. Uppsala Domkyrkokör with soloists Jennifer Ferguson and Staffan Liljas.
Songs praising the country-side with and by Anders Nyberg. Uppsala Domkyrkokör with soloists Jennifer Ferguson and Staffan Liljas.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
I’m singing Polyphemus in the Confidencen production of G. F. Handel’s Acis & Galatea. Ylva Stenberg is Galatea, Hyojong Kim is Acis, and Jihan Shin is Damon. Olof Boman is conducting and Elisabeth Linton is the stage director.
Murmurations and rings on the water – music about loss, war and sea from the baroque through today, with a focus on Sweden and Russia. Staffan Liljas, bass, Karl Nyhlin, lutes, Mariangiola Martello, harpsichord and piano.
Concert with music related to the Russian attacks on the Stockholm archipelago in 1719. Music from the end of Swedens period as a great military power in the years 1700 – 1725, including Swedish composers such as Zellbell, Hurlebusch, and von Düben but also Swedish and Russian songs. Staffan Liljas, bass, Karl Nyhlin, lutes, Mariangiola Martello, harpsichord and piano.
A capella concert with the Eric Ericson Chamber Choir at the Haarlem Koor Biënnale in Haarlem under Fredrik Malmberg.
A capella concert with the Eric Ericson Chamber Choir at St Magnus International Festival on the Orkney islands under Fredrik Malmberg.
A capella concert with the Eric Ericson Chamber Choir at the Tampere Vocal Music Festival in Tampere under Fredrik Malmberg.
I am singing the baritone solo in Lars-Erik Larsson’s God in Disguise with Laurentii Motettkör and Kummelby kammarkör under Ewa-Lena Kansbod.
I’m singing Ethel Smyth’s Mass in D with Eric Ericsons Kammarkör and the Royal Philharmonic Orchestra under Sakari Oramo.
I’m singing Ethel Smyth’s Mass in D with Eric Ericsons Kammarkör and the Royal Philharmonic Orchestra under Sakari Oramo.
Uppsala Cathedral Choir sings folk music with texts and arrangements by Anders Nyberg. Jennifer Ferguson, soprano, Staffan Liljas, baritone, Lisa Rydberg, violin, Filip Ekestubbe, piano, and Gabriel Nyberg, percussion. Conductors: Anders Nyberg och Milke Falck
I’m singing Christ in Rolf Martinsson’s Passion of St. Luke together with Canzonettan under Kettil Skarby.
I am singing Pilate and the bass arias in this performance of J. S. Bach’s St. John Passion under Lars Artborg.
I’m singing Christ in J. S. Bach’s St. Mark Passion under Marie-Louise Beckman.
I’ll sing Christ in Chilcott’s St John Passion under Torvald Johansson.
I’m singing Sarastro in the Labopéra Alsace production of W. A. Mozart’s Die Zauberflöte. Conductor is Simon Rigaudeau and stage director Chiara Villa.
I’m singing Sarastro in the Labopéra Alsace production of W. A. Mozart’s Die Zauberflöte. Conductor is Simon Rigaudeau and stage director Chiara Villa.
I’m singing Sarastro in the Labopéra Alsace production of W. A. Mozart’s Die Zauberflöte. Conductor is Simon Rigaudeau and stage director Chiara Villa.
I’m singing Sarastro in the Labopéra Alsace production of W. A. Mozart’s Die Zauberflöte. Conductor is Simon Rigaudeau and stage director Chiara Villa.
I’m singing Sarastro in the Labopéra Alsace production of W. A. Mozart’s Die Zauberflöte. Conductor is Simon Rigaudeau and stage director Chiara Villa.
I’m singing the bass solos in J. S. Bachs cantata 32 “Liebster Jesu, mein Verlangen” under Roland Möhle together with Cecilia Nanneson, soprano, and Ann Wallström, violin.
I’m the bass soloist in this Christmas Concert under Gunnar Björkvalls direction.
I’m the bass soloist in this concert under Gunnar Björkvalls direction.
I will sing the bass solos in G. F. Handel’s Messiah under Marie-Louise Beckman.
I will sing the bass solos in the Christmas Oratorio by Johann Sebastian Bach, parts 1 – 3.
I am the bass soloist in this Advent Concert with the choirs of the Markus church under Eva Karpe and Åsa Schmidt.
I’m the bass soloist in this advent concert at Confidencen under Olof Boman.
I’m singing the bass solo in Haydn’s Nelson Mass together with Camerata Vocalis and the Drottningholm Baroque Ensemble under Jonas Marmbrandt.
I will sing the baritone solo and in the ensemble in Duruflé’s Requiem under Roland Möhle.
I will sing the baritone solo and in the ensemble in Duruflé’s Requiem under Roland Möhle.
I’m singing the bass solo in Mozart’s Requiem under Mats Nilsson.
I’m singing Schnittkes “Drei Geistliche Gesänge” and “Requiem” with Mogens Dahl Kammerkor at the Golden Days Festival in Copenhagen.
I will sing the bass solo in Claudio Monteverdi’s Vespro della beata Vergine under Per Rönnblom.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I am performing the role of Davenaut in Heinrich Marschner’s Der Vampyr at Läckö Castle, with stage direction by Johannes Schmid and musical direction by Simon Phipps. This is the first performance of this opera in Sweden, and it is performed in Swedish in a translation by Catarina Gnosspelius.
I will sing the baritone solo in Lars-Eriks Larssons God in Disguise together with Agnes Auer, soprano, St Olofs Oratoriekör and the Norrköpings Symphony Orchestra under Lars Beckman.
I’m performing the baritone solo in Lars-Erik Larsson’s God in Disguise under Ewa Lena Kansbod.
I will perform the bass solo in Claude Vivier’s Journal together with Eric Ericsons Chamber Choir under Fredrik Malmberg. Other artists include Anna Christensson (piano), Hannah Holgersson (soprano), Maria Sanner (alto) and Thomas Volle (tenor).
I’m singing the bassolo in “Spring” from The Seasons by J Haydn together with the Filharmonic Society and St Nicolai Motettkör. Concert master Anne Holmer. Conductor Gunnar Björkvall.
I will sing the bass solos in J. S. Bach’s cantatas 25, 46 and 127 together with a baroque orchestra under Ann Wallström and vokalensemble, conducted by Lars Artborg.
I will sing the bass solo in a performance of D. Buxtehude’s Membra Jesu Nostri under Benedikt Melichar in Högalid Church.
I will perform Christ and the bass solos in J. S. Bach’s Passion of St. John under Hans Ove Olsson.
I am Christ in Rolf Martinssons Lukaspassionen, Ulla-Carin Börjesdotter is the evangelist and Ewa Lena Kansbod conducts.
Concert with the Harmony of Voices, Lautten Compagney and Göran Månsson under Fredrik Malmberg. Music by Schütz and contemporaries. Recorded for radio broadcast across Europe through EBU.
I’m a soloist at this Annunciation Concert with the vocal ensemble Ars Longa under David Åberg. Music by H. Schütz and J. S. Bach.
Concert with Harmony of Voices, Lautten Compagney and Göran Månsson under Fredrik Malmberg. Music by Schütz and his contemporaries with a flavor from our own time.
Concert with the Harmony of Voices under Fredrik Malmberg with the program “Bach to Bäck”.
I will be performing the role of Pilate in Fredrik Sixten’s St. John Passion in Strängnäs Cathedral under Thorvald Johansson.
Opera concert at Nio Rum with Lona Mohr Villadsen and Patrik Cornelius.
I will sing Glunten in this concert with excerpts from Gunnar Wennerberg’s collection of duets Gluntarne during the Opera Festival in Kristiansund, arranged by the Opera in Kristiansund. Magistern is performed by Sverre Johan Aal and Brage Kristian Einum plays the piano. In addition to Gluntarne we will present some beloved opera classics.
I will sing Glunten in this concert with excerpts from Gunnar Wennerberg’s collection of duets Gluntarne during the Opera Festival in Kristiansund, arranged by the Opera in Kristiansund. Magistern is performed by Sverre Johan Aal and Brage Kristian Einum plays the piano. In addition to Gluntarne we will present some beloved opera classics.
Opening concert for the NJORD-biennal with Mogens Dahl Kammarkör performing works by Anna Thorvaldsdottir, Anna Cederberg-Orreteg, and Per Nørgård.
Wasahof Operan presents Mobilen, an adaptation of Menotti’s comedic one-act opera The Telephone to Swedish and for our time. Lona Mohr Villadsen is Lucy and Staffan Liljas is Ben. Lotta Larsson accompanies the performance on piano. The evening starts with the main course, followed by the opera (which is about 25 minutes), followed by dessert, for the modest price of 400 SEK.
I am performing the baritone solo in J. Brahms “Ein Deutsches Requiem” in Siljansnäs Church together with Leksand’s Church Choir and Bergslagens Kammarsymfoniker under Michael Bodström Eric.
I am performing the baritone solo in J. Brahms “Ein Deutsches Requiem” in Leksand’s Church together with Leksand’s Church Choir and Bergslagens Kammarsymfoniker under Michael Bodström Eric.
I am performing with the Eric Ericsons Chamber Choir in this a capella concert with music by Swedish and foreign composers, including Rautavaara, Brahms, Werle, Penderecki, Poulenc, and Lidholm. The choir is led by Patrik Ringborg.
I am the bass soloist in this performance of J. S. Bach’s Mass in A major together with the Stockholm Bach Society and Adolf Fredrik’s Church Chamber Choir, under Christoffer Holgersson.
I am the bass soloist in this performance of J. S. Bach’s g-minor mass with Mikaeli Chamber Choir and the Stockholm Bach Society, under Anders Eby.
Wennerberg’s academically steeped and Uppsala-inspired duett collection ”Gluntarne” is his most well-known work, and this dinner offers a tasting of it accompanied by a three-course dinner created in Wennerbergs honour to celebrate his 200-year anniversary!
Wennerberg’s academically steeped and Uppsala-inspired duett collection ”Gluntarne” is his most well-known work, and this dinner offers a tasting of it accompanied by a three-course dinner created in Wennerbergs honour to celebrate his 200-year anniversary!
I am performing with the Eric Ericsons Chamber Choir in this concert celebrating the composer Sven-David Sandström turning 75. Apart from Sandström’s own music, the concert includes music by des Pres, Buxtehude, Byrd, Bach, Martin and Palmér.
I am performing with the Eric Ericsons Chamber Choir in this concert celebrating the composer Sven-David Sandström turning 75. Apart from Sandström’s own music, the concert includes music by des Pres, Buxtehude, Byrd, Bach, Martin and Palmér.
I am performing with the Eric Ericsons Chamber Choir in this concert celebrating the composer Sven-David Sandström turning 75. Apart from Sandström’s own music, the concert includes music by des Pres, Buxtehude, Byrd, Bach, Martin and Palmér.
I am performing with the Eric Ericsons Chamber Choir in this concert celebrating the composer Sven-David Sandström turning 75. Apart from Sandström’s own music, the concert includes music by des Pres, Buxtehude, Byrd, Bach, Martin and Palmér.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Staffan Liljas performs as Sharpless in Puccini’s ”Madama Butterfly” with Skånska Operan. Lona Mohr Villadsen is Butterly, Daniel Svensson is Pinkerton, Josefine Andersson is Suzuki, Josep Cuso is Goro and Siri Carbin Åhlund is Kate. Stage Director: Ola Hörling, Musical Director: Max Lörstad, Producer: Åsa Jensen.
Wasahof Operan presents Mobilen, an adaptation of Menotti’s comedic one-act opera The Telephone to Swedish and for our time. Lona Mohr Villadsen is Lucy and Staffan Liljas is Ben. Lotta Larsson accompanies the performance on piano. The evening starts with the main course, followed by the opera (which is about 25 minutes), followed by dessert, for the modest price of 400 SEK.
Staffan Liljas sings Pilate in Fredrik Sixten’s St John Passion under Nils Lundström. Helena Ek sings the soprano solo, Love Tronner is Evangelist, and Peter Boman is Christ. The Choir is Säffle Oratorio Choir, winds from The Wermland Opera Orchestra, with Anders Emilsson on the organ.
I’m singing Pilate and the bass arias in this performance of J. S. Bach’s St. John Passion under Lars Artborg.
I’m singing the role of Christ and the bass arias in this performance of the St. John Passion by J. S. Bach under Lars Beckman.
Wasahof Operan presents Mobilen, an adaptation of Menotti’s comedic one-act opera The Telephone to Swedish and for our time. Lona Mohr Villadsen is Lucy and Staffan Liljas is Ben. Lotta Larsson accompanies the performance on piano. The evening starts with the main course, followed by the opera (which is about 25 minutes), followed by dessert, for the modest price of 400 SEK.
Staffan Liljas will perform the role as Pilate in the St John Passion by Fredrik Sixten under Torvald Johansson.
I am the bass soloist and participate in the choir in this performance of Rossini’s Petit Messe Solennelle with Copenhagen Soloists under Jonathan Ofir.
I am the bass soloist and participate in the choir in this performance of Rossini’s Petit Messe Solennelle with Copenhagen Soloists under Jonathan Ofir.
Wasahof Operan presents Mobilen, an adaptation of Menotti’s comedic one-act opera The Telephone to Swedish and for our time. Lona Mohr Villadsen is Lucy and Staffan Liljas is Ben. Lotta Larsson accompanies the performance on piano. The evening starts with the main course, followed by the opera (which is about 25 minutes), followed by dessert, for the modest price of 400 SEK.
Wasahof Operan presents Mobilen, an adaptation of Menotti’s comedic one-act opera The Telephone to Swedish and for our time. Lona Mohr Villadsen is Lucy and Staffan Liljas is Ben. Lotta Larsson accompanies the performance on piano. The evening starts with the main course, followed by the opera (which is about 25 minutes), followed by dessert, for the modest price of 400 SEK.
Wasahof Operan presents Mobilen, an adaptation of Menotti’s comedic one-act opera The Telephone to Swedish and for our time. Lona Mohr Villadsen is Lucy and Staffan Liljas is Ben. Lotta Larsson accompanies the performance on piano. The evening starts with the main course, followed by the opera (which is about 25 minutes), followed by dessert, for the modest price of 400 SEK.
Valentines Day concert with choir music, arias and duets with Mogens Dahl Kammerkor.
Robert Schumann’s Szenen aus Goethe’s Faust with the Swedish Radio Choir and the Swedish Radio Symphony Orchestra under Daniel Harding.
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Robert Schumann’s Szenen aus Goethe’s Faust with the Swedish Radio Choir and the Swedish Radio Symphony Orchestra under Daniel Harding.
Mass with gregorian chant and early polyphony led by Veikko Kiiver.
Soloist in concert with Russian Christmas music together with Uppsala Vokalensemble.
Soloist in concert with Russian Christmas music together with Uppsala Vokalensemble.
Soloist in concert with Russian Christmas music together with Uppsala Vokalensemble.
Concert with Arthur Honegger’s Une Cantate de Noël and Hilding Rosenbergs Den heliga natten.
Maria Demérus (soprano), Janna Vettergren (alto), Love Tronner (tenor), Staffan Liljas (bass), Essinge Kammarkör. Plica Vocalis. Barnkör från Sundbyberg, Orkestern Filialen, Mathias Kjellgren (organ), Astrid Wennerholm (choir master), Gunnel Fred (recital)
Niclas Bertell and Stefan Fred, conductors
I will perform as “Marco” in Opera Noord-Holland-Noord’s Gianni Schicchi, directed by Nelly Vogler and conducted by Peter Schlamilch.
I am singing Spanish madrigals in this concert of Spanish music.
Concert with the Eric Ericsson Chamber Choir and The Royal Philharmonic Orchestra under Sakari Oramo with among other things Tristia by Hector Berlioz.
Concert with the Eric Ericsson Chamber Choir and The Royal Philharmonic Orchestra under Sakari Oramo with among other things Tristia by Hector Berlioz.
Performance for children with Drottningholms Barockensemble, Maria Sanner and Staffan Liljas under Fredrik Malmberg.
Concert with Mogens Dahl Kammerkor with music by Per Nørgard.
Concert with music by national poet Carl Michael Bellman together with lutenist Karl Nyhlin.
Concert with music by national poet Carl Michael Bellman together with lutenist Karl Nyhlin.
Summer concert with lieder and opera arias together with soprano Randi Røssaak.
This is a lunch concert on the theme “Late Bloomers” that I will perform together with Dmitry Tyapkin on piano. The idea is to present works from composers who debuted or got their break-through later in life. It will include music by composers like Janacek, Bruckner, Franck, Glass, Borodin, and others.
This is a lunch concert on the theme “Late Bloomers” that I will perform together with Dmitry Tyapkin on piano. The idea is to present works from composers who debuted or got their break-through later in life. It will include music by composers like Janacek, Bruckner, Franck, Glass, Borodin, and others.
This is a performance of music by Györg Ligeti with musical direction by Fredrik Malmberg. I will participate in a staged performance of Ligetis “Aventures” together with Maria Sanner (alto), Alexandra Zetterström Büchel and KammarensembleN. Apart from this, the performance includes “Mysteries of the Macabre” with Alexandra and “Lux Æterna” with Vokalharmonin.
I will sing the role of Pilate in Johannespassionen by Fredrik Sixten under Maria Helmér together with Eskilstuna Oratoriekör, Stockholm Concert Orchestra, Olof Lilja, Patrik Sandin, and Helena Ek.