I’m singing a concert with songs based on the poems of Bo Setterlind together with Charlotta Huldt, soprano, and Torvald Johansson, cathedral organist.
I’m singing a concert with songs based on the poems of Bo Setterlind together with Charlotta Huldt, soprano, and Torvald Johansson, cathedral organist.
This concert is only for the participants in the seminar.
The concert presents arias and pieces from operas composed by women between the years of 1625 and 1909. These compositions were popular and lauded in their time, but have disappeared from the stage. Now we give these opera treasures a new life!
In the concert we hear among other things La Liberazione di Ruggiero by Caccini, the oldest preserved opera written by a woman. Mazeppa, which is based on Lord Byrons poem about the kosack Ivan Mazepa, and Viardots Le dernier sorcier, which was long assumed to be lost but was rediscoverd only a few years ago.
The concert is led by Mariangiola Martello and Anna Christensson, and among the singers are Annastina Malm, Leif Ahrun-Solén, Staffan Liljas and Norwegian Berit Norbakken. The concert is arranged by Den Andra Operan, Vadstena-Akademien, Confidencen and Åbo Akademi. Damkapellet plays.
The concert presents arias and pieces from operas composed by women between the years of 1625 and 1909. These compositions were popular and lauded in their time, but have disappeared from the stage. Now we give these opera treasures a new life!
In the concert we hear among other things La Liberazione di Ruggiero by Caccini, the oldest preserved opera written by a woman. Mazeppa, which is based on Lord Byrons poem about the kosack Ivan Mazepa, and Viardots Le dernier sorcier, which was long assumed to be lost but was rediscoverd only a few years ago.
The concert is led by Mariangiola Martello and Anna Christensson, and among the singers are Annastina Malm, Leif Ahrun-Solén, Staffan Liljas and Norwegian Berit Norbakken. The concert is arranged by Den Andra Operan, Vadstena-Akademien, Confidencen and Åbo Akademi. Damkapellet plays.
The concert presents arias and pieces from operas composed by women between the years of 1625 and 1909. These compositions were popular and lauded in their time, but have disappeared from the stage. Now we give these opera treasures a new life!
In the concert we hear among other things La Liberazione di Ruggiero by Caccini, the oldest preserved opera written by a woman. Mazeppa, which is based on Lord Byrons poem about the kosack Ivan Mazepa, and Viardots Le dernier sorcier, which was long assumed to be lost but was rediscoverd only a few years ago.
The concert is led by Mariangiola Martello and Anna Christensson, and among the singers are Annastina Malm, Leif Ahrun-Solén, Staffan Liljas and Norwegian Berit Norbakken. The concert is arranged by Den Andra Operan, Vadstena-Akademien, Confidencen and Åbo Akademi. Damkapellet plays.
This is a soloprogram with Bach’s three cantatas for bass, BWV 56, BWV 82 and BWV 158, which I will be performing together with a small baroque ensemble. More info
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I’m the bass soloist in Bach’s Magnificat and Cantata 182 under Ulric Andersson.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.
I am performing the role of the quantum super computer Teus in the newly written musical Djur som hatar människor (Animals who hate humans) by Erik Gedeon at Uppsala City Theatre.